Now I sit with vet lighting designer, Dante Olivia Smith
What does it mean to light 14/48?
Normally it’s meant coming up with a plot for the festival and anticipating what could happen which with this festival could be anything. This year is different, as I have never worked in this space and have been handed a plot and I get to take their plot and see what I can do. So it’s a challenge.
What is the thickest part of your day?
You know, my favorite thing about 14/48 is that I have seen some truly great life changing moments at 14/48. Sometimes that is helped by a design element and sometimes it’s in the writing or playing. Conversely I have seen some terrible moments. Which is also exciting because it is isn’t there the night before.
The best part is being able to contribute to something new and ephemeral.
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