Directors and stage managers huddle into a corner of the
Bullitt Cabaret. It’s time for the directors meeting.
The stage managers inform the directors about the new tech
schedule. They are trying to save all the tech time they can. “We’re going to
give you all the tech time you need. But if you’re done, we’re going to kick
you off the stage,” Nina Trotto says cheerfully. They want to keep it “clipping
along,” as Kaeline Kine says.
Drawing diagrams of their set, the directors talk through
any big moments or “looks” that are in their show. Often you’ll hear “There
might be a cue there…we’ll see in tech,” as directors only have 20 minutes to
figure out what will or won’t work for tonight’s performance.
The meeting wraps up and we are ready for tech.
Kerri Wooster-Brown deposits one of her sleeping children into
a friendly lap, and consults with husband Jodi-Paul Wooster. You have to give
credit to the kids of the theatre—their lives are full of coloring books, video
games, late nights in pajamas, and a horde of friendly faces all wanting to
share smiles and love.
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