Friday, July 22, 2011

More Air Supply

The band is having WAY too much fun with the Air Supply song...
Oh, gee...can we run it again?
Sure
They start in with that over-the-top, faulsetto, faux-jazz/Am. Idol improv
OK...ladies...that's really lovely...ladies...
Yeah, little goofy.


(but- the harmony is really good)

Tech Puppy Love

First look for play 5?
Building it...

Breaking bones seems to be a curse for the leads of ACT's recent show "Pilgrims.....in the New World." Carol's got a broken foot.

While light cues get built and stage is spiked, the band played on, rehearsing their theme song.
....and then...

AAAHHHH!! Frickin Air Supply! AAAAHHHHH!
And with that a band member darts up the aisle declaring "It's Beer-o'clock."

Patience? Having to walk around in frickin flippers

Jason's feeling so good, he takes a chill on the couch

You look really nice in the turtle neck.
I don't take my turtle neck for just anyone
NO...I come from a long line of yeasty women...

Uh, we'll have to run that again....
Oh, Jason....

in case anyone's wondering about playwrights...

As usual, I failed at napping, but my husband made me a grilled cheese sandwich and I ate it lying in the hammock in the backyard, so that was nice.

Overheard

Photog Michelle shared:
I have this weird 14/48 phenomenon: I wander from rehearsal to rehearsal all day long and no matter what, I always, always walk into a play at the same exact place in the script as they were rehearsing when I was there earlier!

Tech Monster Mash

The band rehearses Que Sera Sera...
The ladies are in fancy dresses, night gowns

Music goes, lights cross fades and we're set and then we'll all have a good time. I love tech time! (Jason)

Hey - why's the band so dang hot? Hot? Loud. Keep the hottiness, of course! But down on the volume. Too much for a small house.

No run through. Let's jump to middle...
She needs a shawl
Spiking and jumping to top of 6, no, how about 5 coming into the ritual.
Carry grandma into the special, cross fade, that's for the band....any kind of ritualistic vocals, drums get faster and faster....
I give up! I'm going to find some kittens.

Ohmygawd. They ate grandma.

Tech Instructions for Making a Play 2

Happiness is Mik speaking gibberish and Lisa trying to jump rope and we're all laughing...
OH shit!!!
Ice!
It felt like it totally pulled apart
OK, well, its our play, we can fucking change it...
No, if it still hurts I'll just tell them 'what the hell' and she can then make them stop. It's cool
Ice pack and ibuprofen are now being administered.

OH! a line: Patience comes to the bone before it comes to the heart.

Tech Instructions for Making a Play

Do we actually have a script for play 3 yet?
No.
(Now I understand how this writer used the theme Patience is a Virtue)

We're going to do this play later...
No, we're doing it now.
OK!

Looks like someone on design crew knows several languages, included (Mandarin?)...or knows how to google them.

The band rehearses "She Bop" but I don't think its for this piece.

Can we get a special on the bonsai?
She's working on it! Thanks!
Director Annie apologizes for the unusual nature of this piece, but promises the band she'll have something for them shortly after tech.
Mik fakes her way through Tai Chi pretty well! I love the waving hand motion thing.

HI BAND!
HI!!

Instructions for Making a Play made it to tech!

Checking back in with Instructions for Making a Play and they're on the stage for tech with freshly printed scripts being handed to the band and crew. This is the only ensemble generated play tonight(historians - is it the only ensemble generated piece in all of 14/48?) and they've spent the day working on using Mallery's instructions to get here.

They're taking a little extra time to set their special lighting and to get the set just the way they want it. The opening features a mix of live music from the band and recordings of text that Lisa and Mik got from pedestrians on the streets around ToJ.

Remember, since all of this morning was spent researching, preparing and doing fieldwork, they've created all of the text, movement, blocking, cues and everything else this afternoon. And it even has a cue for a couple audience members. This is a 14/48 dream team we're dealing with, people.

Even a minor injury during tech couldn't hold them up.

Tech Loss Prevention

Made up for some lost time and we're now just 2 min from being on time...


What would you like to do?
A run through...
The song runs through...
Just use the Cone of Destiny for now.
So, are we ready?
The band plays Girl from Ipanema....
Stop...
I love what you do cuz I can't do it myself, but can we make Ipanema less lounge-y and more muzak-y?

Remember! Receipts Are Important Police Inquires In a Mirrored Rooms

Tech! Solidarity

transition from opening number to opening of piece is starting only 8 min "late" into tech. Not bad Jason!
Lights? Ready?
Yeah!
Opening light?
We work that out later
We need light in transition
Right
ladders out please

OK! end of song:

"and if patience is a virtue (buh-buh) baby, bring on the vice"

transition is a pretty little piano ditty that will keep running...and running...and running
lights up on ladies in dresses in heels, glasses of wine
Line? U
Uh, yeeee.brrrrrbbbbb..buptbupt...
Ah, when I got divorced...
Line?
Pppththththt...sorry! I keep looking?

Show #3 officially has a script!

As of 3:21pm, Annie is officially typing up the script for Instructions for Making a Play. They're an hour ahead of time for their tech!

Highlights from the director's meeting

Show #1 - "Is the dildo in the box?"

Show #2 - The director has cut a couple lines, but assured everyone that "there's direction happening" in lieu of it.

Show #3 - "The only thing I'm waiting on is a ship in a bottle. Don't ask."

Show #4 - Monster Mash has a ritual that needs to be carefully timed with the band - they'll be using their tech to set that along with the song.

Show #5 - Simple tech set up from director Carol, but with a great list of props!

Show #6 - Tech question all comes down to velour - who wants it, who might have it, but with assurances that it'll be here in time for tech.

Show #7 - Director Makaela is asking to test out 3 different lighting schemes to get the right effect for the waterfall.

Leftovers from lunch

These got left behind at the media center after the lunch scramble. Maybe they're from theJanuary props?


Instructions for Making a Play in the afternoon

Since last checking in on the show being created from a series of instructions, the women behind Instructions for Making a Play have pulled together all of their research and props gathered from the morning (jump ropes, guides, bonzai trees, etc) to create a narrative and series of actions.

They're wrapping up the final blocking and sound cues right now, getting closer to tech time!


Puppy Love post-lunch

The Puppy Love rehearsal is right in the middle of all the action. Their space is near the stage where the band is already rehearsing the theme song, just by where all the props and set pieces are being put together and within earshot of the 14/48 headquarters where the Steering Committee is prepping for tonight's open.

In the midst of all that, they're running lines, tightening up the pace and practicing with some of the costumes (have I mentioned flippers?). Line I heard as I was leaving:

"Its a big world - you're the goldfish and I'm the shark."

Night One Props

The design team is pulling together a list of items that includes everything from scuba gear to limbs. A trip to Champions has been debated to get everything that's needed for tonight!

Checking in with Solidarity



Up in the Solidarity rehearsal Susanna is giving the cast some final notes before the afternoon. The cast is describing it as salvation meets mother knows best meets the real Sex in the City meets the The Vibrator Play.

Fact: this cast is 3/4 14/48 virgins.

Photos, photos!

Check out a constant stream of photos by veteran 14/48 photographer Michelle Bates from the show prep throughout the day!
14/48 Photos!

Pride Cometh After the Fall(s) pre-lunch



Director Makaela just started a read through with her cast - all of whom are offbook before lunch! - and they're running lines like:

"He is a boutique flavor"

"He's kind of like a Harry Potter hampster."


Overheard in the main room

Sitting in the empty main room, I can hear directors advising their actors, the band tuning, laughter and...barking from at least one of the rehearsal spaces.