The band rehearses the transition.
Paranoid Nazi fantasy, with Whitehead, Walsh and Brockley, who is holding his own against the giant hams. Does anymore need be said?
No, not really.
Peggy Gannon clarifies with Paul Budraitis that he's looking for comedy timing for the last light cue in the piece. Yes, comedy timing is what is sought for. Peggy Gannon rocks.
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